• Skip to main content
  • Skip to secondary menu
  • Skip to primary sidebar
  • Skip to footer
  • Search
  • Things To Do in NYC
  • Art
  • Dance
  • Festivals
  • Film
  • Music
  • Sports
  • Theatre
New York Latin Culture Magazine®

New York Latin Culture Magazine®

World-class Indigenous, European & African Culture since 2012

  • New York
  • Latin
  • Culture
  • Magazine
  • Subscribe
  • Sponsor

Arrival

“Arrival” is an intelligent 2016 science fiction drama by French-Canadian director Denis Villeneuve. It opened citywide on November 11, 2016. The film was shot in Montreal. It stars Amy Adams, Jeremy Renner, and Forest Whitaker.

“Arrival” is based on Ted Chiang’s book “Story of Your Life” with a screenplay by Eric Heisserer. Bradford Young (Selma) is responsible for the beautiful cinematography. Icelander Jóhann Jóhannsson scored the film.

This is a refreshing return to old-school science fiction. Thinkers will find some big questions in the story. Its pleasure comes from these puzzles and the plot twist. Like the best science fiction, “Arrival” asks big questions about how we live, and the future we are creating, for ourselves and for humankind.

About Arrival

The Arrival Trailer
“Arrival” is an intelligent slow-paced suspense drama that is beautifully shot with an engaging lead character.

The film is not about the aliens, but about what the human characters are going through and how their actions affect both their lives and the lives of all humankind.

The plot device of alien ships landing around the world references the beginning of Arthur C. Clarke’s “Childhood’s End.” The film makes some visual nods to Stanley Kubrick’s science fiction classic “2001: A Space Odyssey,” which was also based on a Clarke story.

It is refreshing to watch a film that mostly avoids Hollywood formula. “Arrival” is a critic’s favorite. It arrives with a 96% rating on RottenTomatoes.com. It remains to be seen how the movie will play with audiences conditioned to hyper-violent comic book science fiction.

Arrival Synopsis

A dozen alien ships arrive at various places on earth. Nobody knows whether their intentions are good or bad. This is the story of a team who tries to figure out why they are here.

Forest Whitaker plays a military colonel leading the team.

Dr. Louise Banks (Amy Adams) is a linguistics expert brought in to figure out the alien language. She suffers flashbacks about the loss of her child and then her husband.

Ian (Jeremy Renner) is a physics professor on the team. He develops a crush on Amy, but stands back with respect.

All the nations of earth are dealing with the arrival in their own way. Some intend to attack the alien ships. Part of the movie’s tension is solving the puzzle of why they are here before war starts.

A door opens on the ships every 18 hours. The team ventures inside. They find themselves at a large screen.

The aliens communicate through a written character script on the screen. Dr. Banks uses her woman’s intuition to establish contact. She begins to absorb the alien’s written language. In this language, the act of writing actually affects the future. A small change in the writing, changes the future.

This idea references Chinese and Mayan written characters where small changes, change the meaning.

Perhaps the story’s writers are also commenting on how media, now mostly delivered on a screen, impacts our future.

Learning a language is not just learning the literal translations of words. It provides an entirely different way to understand and experience life. French-speaking Quebecois, living in English-speaking Canada understand this intuitively. After the end of Quebec’s secessionist battle in the 1990s, Quebecois have found a nicely balanced multicultural French & English existence.

Those of us who live in multicultural families know that language has its limits. Some things have to be actually felt to be understood. You see this in the movie. Being understood or not can make the difference between a memorable evening and one hell of a night.

The film ponders the East / West question of whether the course of our lives is predetermined or determined by the actions of our own free will. Being Chinese-American, the story’s author Ted Chiang certainly understands both points of view.

Because the alien’s written language affects the future, learning it causes Dr. Banks to see her own. With full knowledge of the deep pain her future holds (two of the worst pains a person can experience in life), Dr. Banks has to decide whether the other moments of great joy make the whole thing worth living.

Jorge Drexler lyrics “la ilusión de que vivir es indoloro” (the illusion that living is painless) from his song “Soledad,” remind us that each of us has to make the same decision every day.

About Denis Villeneuve

Denis Villeneuve is a French-Canadian director and writer.

He gained prominence with “Incendie” (2010). Villeneuve is best known for “Sicario” (2015) and “Prisoners” (2013). Villeneuve is scheduled to direct “Blade Runner 2049.” The sequel to Ridley Scott’s “Bladerunner” (1982) starring Harrison Ford is scheduled for release in 2017.


Published November 11, 2016 ~ Updated March 21, 2025.

Filed Under: FILM, French Canadian

Subscribe

Get New York Latin Culture Magazine weekly in your email. We don’t share, rent, or sell addresses. You can unsubscribe at any time.

Primary Sidebar

Things to Do in NYC

January, February, March, April, May, June, July, August, September, October, November, December

Colombian Salsa

Grupo Niche in 2025 (Carnegie Hall)

Grupo Niche Plays Colombian Salsa for Carnegie Hall’s “Nuestros Sonidos” Festival of Latin Culture

Cuban Funk

Cimafunk in 2024 (Carnegie Hall)

Cimafunk “Pa’ Tu Cuerpa Tour” Has “The James Brown of Cuba” Getting Funky for Carnegie Hall’s “Nuestros Sonidos” Festival of Latin Culture

Nuestros Sonidos Latin Culture

Nuestros Sonidos at Carnegie Hall (Sol Cotti)

Carnegie Hall’s “Nuestros Sonidos” (Our Sounds) Festival of Latin Culture

Theatre Professionals ~ Employers Network

Find your next project. Discover your next team. Do it on RISE.

Sponsored By The Best Of New York

92nd Street Y, New York

Capulli Mexican Dance Company 🇲🇽

Brooklyn Museum

Carnegie Hall

Harlem Stage

Hostos Center

Melvis Santa & Jazz Orishas 🇨🇺

Metropolitan Opera

National Indigenous Peoples of the Americas Parade 🇺🇸

New York City Center

NYU Skirball Center

RISE Theatre Directory

Teatro Real ~ Royal Opera of Madrid 🇪🇸

World Music Institute

Footer

Search

Things to do in NYC

January, February, March, April, May, June, July, August, September, October, November, December

New York City

Bronx, Brooklyn, Manhattan, Queens, Staten Island ~ New Jersey

Latin Music and Dance

Bachata, Ballet, Cumbia, Classical, Flamenco, Hip Hop, House, Jazz, Merengue, Modern Dance, Opera, Pop, Reggaeton, Regional Mexican, Rock, Salsa, Samba, Tango, World Music

North American

African American, Honduran, Indigenous, Jewish, Mexican

Caribbean

Cuban, Dominican, Haitian, Puerto Rican, Trinidadian

South American

Argentine, Bolivian, Brazilian, Chilean, Colombian, Ecuadorian, Peruvian, Venezuelan

African

African American, Nigerian, South African

European

French, Portuguese, Spanish

Follow

X, Facebook, Instagram, LinkedIn, Pinterest, Threads, YouTube, TikTok

Subscribe

Get New York Latin Culture Magazine in your email

advertise

Sponsor

Details

Terms & Conditions | Privacy Policy | Cookies Policy

New York Latin Culture Magazine® and Tango Beat® are registered trademarks, and New York Latin Culture™ is a trademark of Keith Widyolar. Other marks are the property of their respective holders.

Copyright © 2012–2025 New York Latin Culture Magazine®. All Rights Reserved.

We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we assume you are ok with it.Ok