Dance in New York City

Dance in New York City is defined by NYC’s Big Three dance companies: Alvin Ailey American Dance Theater, American Ballet Theatre, and New York City Ballet. Ballet Hispánico and Dance Theatre of Harlem round out the Big Five. New York City’s main dance theaters include: 92nd Street Y, David H. Koch Theater, Joyce Theater, Metropolitan Opera House, and New York City Center. NYC has vibrant social dance scenes in bachata, salsa, tango, and reggaeton. In traditional cultures, dance is how we pray.

Thank you for sponsoring Latin Dance in New York Latin Culture Magazine:

• 92nd Street Y, New York
• Ballet Hispánico 🇨🇺 🇲🇽 🇵🇷
• Ballet Nepantla 🇲🇽
• Calpulli Mexican Dance Company 🇲🇽
• Dzul Dance 🇲🇽
• Flamenco Festival New York (Madrid) 🇪🇸
• Flushing Town Hall
• Harlem Stage 🇺🇸
• Joyce Theater
• Little Island
• New York City Center
• Robert Browning Associates
• World Music Institute

Drums Along the Hudson is a Native American Powwow and Multicultural Celebration of Drum, Song, & Dance

INWOOD HILL PARK, Inwood, Manhattan 🇺🇸 🇮🇳 🇯🇵 🇲🇽 🇱🇰

Ballet Hispánico Celebrates its 55th Anniversary Emerald With Signature Contemporary Ballet CARMEN.maquia

NEW YORK CITY CENTER, Midtown, Manhattan 🇨🇺 🇲🇽 🇵🇷 🇪🇸

Harlem Stage Develops Visionary Artists of Color

When We Dance, The Son Also Rises: Black Men in Dance 🇺🇸
Nova Frontier Film Festival, African Diaspora, Middle Eastern, and Latin American film 🇺🇸 🇧🇪 🇬🇧 🇮🇷 🇫🇷 🇲🇽 🇸🇳 🇪🇸 🇹🇷

MANHATTANVILLE, West Harlem, Manhattan

Salsa Sundays at Orchard Beach is a Hot Summer Salsa Dance Party

ORCHARD BEACH, Pelham Bay Park, The Bronx 🇵🇷

DanceAfrica, America’s Largest African and Diasporic Dance Festival, Celebrates the Culture of Mozambique

BROOKLYN ACADEMY OF MUSIC (BAM), Fort Greene, Brooklyn 🇺🇸 🇨🇲 🇸🇳

BIG Salsa Festival is New York City’s Memorial Day Weekend Salsa & Bachata Dance Festival

NEW YORK HILTON MIDTOWN, Manhattan 🇨🇴 🇨🇺 🇩🇴 🇵🇷 🇪🇸

Latin Dance is as Diverse as We Are

Dance Companies NYC

Dance Theaters NYC

Dance Festivals NYC

Origins of Latin Dance

In ancestral tradition, dance is how we pray. In fact “going to dance” didn’t used to mean going to a party. It meant going to a community ceremony.

Latin dance in New York City is just a shadow of the original. It’s like Plato’s “Allegory of the Cave.” Imagine you are chained to the floor of cave with a fire near your feet. You can’t see the fire, but can see shadows of things passing on the walls. Because you only see shadows, that’s your reality. But there is actually a lot more to it. To see it, you have to free yourself.

Social Latin dance is an expression of family, community, and love. It is the glue that binds traditional Latin communities. It’s mostly forgotten now, but in the same way that classical music derives from European religious ritual, Latin social dance derives from Indigenous and African Diaspora religious ritual. In ancestral tradition, dance is how we pray.

This is Where We Come From

In traditional communities, dance is how we pray. It is the core of community life. Traditional dance is an expression of family, faith, community and love. In the old countryside, community gatherings were the only thing in town. Everyone participated. Even in modern life, dance still marks important steps in life’s journey.

This is Where We Came To

In the colonial context, preserving your heritage is a form of resistance. Dance traditions pass down through families. Indigenous and African Diaspora traditions survived in secret at home for over 500 years. We tend to be very good dancers because it is our culture. It is how we connect with our ancestors and how we teach our children who they are. For us, dance is sacred.

“When I Move Like This, It Feels Like Freedom”

Much of who we are as Americans today originated in the years after the U.S. Civil War 1860-65. That war, eight generations ago, was supposed to deliver the Constitutional promise that all Americans are free. We are still working on that, and still decolonizing too. But New York is trying.

Latin culture is almost always born in the most disadvantaged communities. There’s something about having nothing that makes you very creative. Even if you have nothing else, you have your body and your spirit. That’s where Latin dance comes from.

Minstrelsy, the street dancing of African Americans trying to survive when there were no jobs after the Civil War, was the first time that all Americans, from east to west and north to south, knew the same songs and dances. The Diaspora dancing was great, but the racial mocking that followed was terrible. We are still trying to wash that nonsense out of our heads.

Anyway, in short form entertainment, there is a direct line from minstrelsy, to vaudeville to Broadway, movies and television, to MTV (music television), to YouTube, and to Tik Tok. But a lot happened on the way.

The World War I Years

It takes two to tango, and New York City played key roles in the development of Argentine tango, twice, after 1913 and again after 1983.

Like most Latin culture, the upper classes considered tango to be too naughty and low-class at first. It began at a time when there were very few women in Argentina. Le Academie du danse, taught the most human dance. Saying you were going to take some dance lessons, was a good excuse for your mother.

Tango was only accepted in Argentina after young Argentines seduced the French and caused the Tango Craze of 1913. Tango spread across Europe and jumped to New York, before the Argentines decided that it was theirs after all.

Tango also played a role in the liberation of women (from the painful constraints of the corset).

By the way, tango has the habanera in it (la habana manera, or the way they dance in Havana). It’s just been Europeanized.

The Jazz Age

Jazz and tap dance developed in New York City during the vaudeville years of the 1920s Jazz Age that defined so much of who we are as Americans. This was the Harlem Renaissance 1.0.

Lindy Hop Swing jumped out of the Savoy Ballroom in Harlem. It was one of the few places of that time where everybody could dance with everybody. All that mattered was how well you could dance.

New York City’s old cabaret law (no dancing without a permit) was made to keep White kids from dancing with Black kids up in Harlem. It took almost 100 years to get rid of that. Good riddance.

Getting Modern

Theatrical dancers began to pull away from the structure of ballet and began developing modern dance, the romantic transition from the storytelling of traditional ballet to the pure abstraction of contemporary dance.

José Limón is one of the legendary modern dance pioneers. Limón technique remains popular. He was born in Culiacán, Sinaloa, Mexico.

By they way, ballet is a Latin dance. It’s an Italian court dance, set to classical music, that developed in France and was preserved in Russia and Denmark after the French Revolution.

Ballet was seeded in the Americas through New York City Ballet’s founding choreographer George Balanchine. He came to New York in 1933, but had already begun the shift from classical to neo-classical to contemporary ballet.

It Don’t Mean a Thing, if It Ain’t Got That Swing

Swing was the American dance of the Great Depression and World War II. It was also the beginning of American youth culture.

When Benny Goodman played the Paramount Theater in Times Square on March 10, 1937; the NYPD was shocked to see long lines of kids. The kids danced in the aisles. That never happened before, and America hasn’t been the same since.

(The title quote is from Duke Ellington. He lived up in Washington Heights.)

Palladium Style

The Mambo Craze, Latin dance craze, that swept America and the world in the 1950s, came out of the Palladium Ballroom in Midtown. The studio was going out of business, so it decided to let in Latins, and things took off. It was another place where everybody could dance with everybody.

The Palladium Ballroom Big Three were Machito and His Afro-Cubans, Tito Puente, and Tito Rodriguez. Latin dance comes from the Caribbean, but in the United States, it comes from the Palladium Ballroom.

Harlem Renaissance 2.0 and Hip-Hop

Whatever happens in the African Diaspora community, ripples into the Latin community shortly thereafter. The 1960s were about Civil Rights and Black Power, so the 1970s were about the Black Arts Movement, Chicano Power in the west, and Puerto Rican Power in the east. If we could be Black and Proud, then we could be Brown and Proud too. It changed everything.

Hip-hop came out of The Bronx in the 1970s. Hip-hop was started by African American kids, but Latin kids brought their parents’ Palladium Ballroom moves into break dancing. Watch the Palladium dancers and watch the early B-boys and B-girls. The similarity is striking.

Puerto Rican bomba is an old Afro-Puerto Rican drum, song and dance tradition that still lives in Puerto Rico and the Diaspora. That folded arm stance, the way we salute the dance circle, and some dance steps are the same in bomba and hip-hop. We don’t know who influenced who, but bomba is older, and the Bronx is Puerto Rican and African American.

Would You Like Your Salsa on 1 or 2?

Cuban rumba is the taproot of a lot of Latin dance. Before rumba, it’s religious ritual which is the deepest root of all the arts. Cuban dance is based on clave, the Afro-Cuban 2-3, or 3-2 bell pattern. Rumba clave is actually more like 2.5 – 2.5. In Cuba, rumba mixed with changüi and Latin jazz into son Cubano, the template for a lot of Latin music. In Cuba, son evolved into timba. In New York, son evolved into salsa.

Caribbean salsa is danced on the one, meaning the leader starts with a left step forward on the 1st downbeat. It’s very simple and circular. It’s not about flash, it’s about partner connection like traditional tango. Swing and salsa are related somehow. The swing out is just an salsa turn, or the other way around.

The 1970s were about Disco with Studio 54 and all that, so in the Bronx, Eddie Torres Sr. combined Caribbean salsa with disco hustle. He made the dance both more European and more African. He added disco shines, and put the leader’s front step on the upbeat, or on the 2. The upbeat is more African.

New York Salsa on 2, gets the dancer’s movements closer to the clave. You follow half the clave which changes your connection with the floor and gives you more opportunities to shine. Disco was all about shining and now that’s part of New York Salsa. In the Caribbean, dancers get confused by New York style, but it’s all good.

Harlem Renaissance 3.0

One of the characteristics of communities of color, is that if you give us a lot of shit, we’ll eventually grow flowers in it. George Floyd (RIP) burst the bubble in 2020. Doors are opening that were never open to people of color.

New York really gets it. And when you open your heart to all peoples, your world expands exponentially. It’s sort of a personal Big Bang.

Hip-hop and African Diaspora dance are having a renaissance now. We call it “The Harlem Renaissance 3.0.” And everybody is doing it.

Reggae, the music of Black liberation out of Jamaica, became Reggaeton on its journey from Jamaica, to Panama, to New York, to Puerto Rico, to Colombia and the whole world. Reggaeton is the global youth music of today, and it has a little bit of everything in it.

“Todo mi gente se mueve.” All my people move. That’s because back in the day, dancing meant, I am part of this family, I respect my family’s faith, I am part of this community, and I want to be loved.” That’s what Latin dance is.

The Natural Habitat of Latin Dance is on the Street

That’s why in New York City, we mostly see shadows of Latin dance on stage and in nightclubs. Let’s end back on the streets. In the dem bow dance, you can see hints of everything in this story.

The dance has evolved from this, but we’re pretty sure this is Capotillo 42, the beating heart of dem bow (Dominican reggaeton) in Santo Domingo.

Con todo el corazón. Capotillo, capotillo, capotillo, capotillo. La cuarenta y dos. ❤️❤️❤️

Remember Where We Come From?

Looks easy, but you try it.

The original video of Zaouli, an Cote d’Ivoire traditional dance, was paired with Colombian champeta music. Champeta has a great story. African traditions came to the Americas with the African Diaspora. Indigenous American traditions were very similar and we mixed together. “In the United States, they took away the drum, and we got the blues” (Eddie Palmieri). The blues is the root of the popular music and dances of the United States (Robert Farris Thompson). From the blues, we got jazz, rhythm and blues, country, swing, rock, funk, and hip-hop.

Fela Kuti mixed American traditions with Nigerian traditions into Nigerian afrobeat which evolved into afrobeats (afropop). Nigerian sailors brought records of Kuti’s afrobeat to Cartagena, Colombia. There it became champeta.

Latin music is a big circle that turns in both directions at the same time. How cool is that?