Latin dance theatre in New York City is ballet, flamenco, tango and folkloric. There are also lively reggaeton, salsa, bachata and tango social dancing scenes.
NYC Ballet’s “George Balanchine The Nutcracker” is Cancelled for 2020
November 27, 2020 – Jan 3, 2021
DAVID H. KOCH THEATER
Lincoln Center, NYC
Continue Reading NYC Ballet’s “George Balanchine The Nutcracker” is Cancelled for 2020
Dance Festivals in NYC
Fall for Dance, Harkness, Flamenco Festival, Youth America Grand Prix, Battery Dance
The 39th Battery Dance Festival goes Virtual for 2020
Friday, August 14-22, 2020
YOUTUBE
FREE
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African, Indian, Middle Eastern, Romanian, French, Greek, Japanese, Women’s, LGBT, Indigenous, Mexican and Disability dance
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Celebrate the 42nd DanceAfrica 2020 Virtually
May 17 – July 7, 2020
Virtual on BAM.ORG
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Dance Theaters in NYC
David H. Koch Theater, Metropolitan Opera House, New York City Center, Joyce
Metropolitan Opera House
LINCOLN CENTER, NYC
NYC’s grandest stage is home of the Metropolitan Opera and American Ballet Theatre
New York City Center
MIDTOWN, NYC
Dance theatre including the Fall for Dance Festival, Flamenco Festival, Alvin Ailey; and Manhattan Theatre Club Broadway revivals
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¡New York Latin Culture Sponsor!
David H. Koch Theater
LINCOLN CENTER, NYC
The home of the New York City Ballet and fall seasons of American Ballet Theatre is NYC’s premiere dance theater
92nd Street Y
UPPER EAST SIDE, NYC
This legendary Jewish community center hosts talks, classical and jazz concerts, and the Harkness Dance Festival
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Joyce Theater
CHELSEA, NYC
NYC’s international dance theater is a dance producer who has long developed dance in Cuba
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Dance Companies in NYC
New York City is home to Latin ballet, modern, contemporary and folkloric dance companies.
OCA Dance “Pal’Monte”
Tuesday, February 11, 2020
DIXON PLACE
Lower East Side, NYC
On the theme of “The Inner Strength”, Kennyth Montes de Oca and the fine OCA Dance dancers invoke the West African mother goddess of the sea, Yemayá, on their way to that special place in the mountains of the human soul. “Olo ho Yemayá, Olo ho Yemayá, O… ..”
Limón Dance Company
Thursday, January 30, 2020
PURCHASE COLLEGE
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Purchase, New York (White Plains)
The legacy company of Mexican-American modern dance pioneer José Limón performs Limón classics and new works
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¡Sponsored by Purchase College!
Ballet Nepantla
Contemporary ballet with Mexican folkloric styling.
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Alvin Ailey American Dance Theater
JOAN WEIL CENTER FOR DANCE
Hell’s Kitchen, NYC
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The African-American modern dance company that popularized modern dance around the world, performs at New York City Center in fall and the David H. Koch Theater in spring.
NYC Ballet
FALL September-October
WINTER January-March
SPRING April-May
DAVID H. KOCH THEATER
Lincoln Center, NYC
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George Balanchine (Ballets Russes) and Jerome Robbins (Broadway) built one of the world’s great ballet companies.
Ballet Hispánico
UPPER WEST SIDE, NYC
United State’s leading Latino contemporary dance organization
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Calpulli Mexican Dance Company
New York City’s leading Mexican folkloric dance organization has a touring company, a dance school and does arts in education programs. This company is so good, they should be on Broadway.
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Dance Theatre of Harlem
HAMILTON HEIGHTS, NYC ~ This fine ballet company and ballet school has superb African, Brazilian, Creole and Cuban dancers
Latin Dance Stores in NYC
Menkes Flamenco & Theatrical Shoes
Monday-Saturday
MIDTOWN, NYC
Spanish flamenco shoes, clothing and accessories
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¡New York Latin Culture Sponsor!
Latin Dancers
Antonio Mannino
A biography of the Italian ballet dancer and actor
Lourdes Lopez, Miami City Ballet Artistic Director (Interview)
NEW YORK CITY; Dec 3, 2018; Cuban ballet leader ~ Lourdes Lopez, Miami City Ballet Artistic Director, former New York City Ballet Principal, talks about being a Cuban immigrant, family, opportunity, dancing for Balanchine and Robbins, the future of ballet and who we really are
Continue Reading Lourdes Lopez, Miami City Ballet Artistic Director (Interview)
Interview with Julio Bocca, the Baryshnikov of Latin America
Friday, April 14, 2017
YOUTH AMERICA GRAND PRIX
DAVID H. KOCH THEATER, Lincoln Center
Continue Reading Interview with Julio Bocca, the Baryshnikov of Latin America
Ballet, Country Dance, Contredanse, Contradanza, Danzón, Habanera, Tango, Swing, Salsa, Bachata, Reggaeton?
Latin dance, both ballet and social dances, derives from a blend of English country dance and Italian court dance in the court of French King Louie XIV. This is not an academic summary, but is our best understanding of the origins of our dance traditions for the moment.
We tend not to think of ballet, the science of dance, as a Latin dance, but it is. Ballet began as an Italian court dance brought to France by Catherine de’ Medici (1519-1589), when she was queen consort and then Queen mother of France (1547-1589).
French King Louis XIV (1643-1715), the “Sun King” loved to party. Ballet developed in his court, but in a way, so did the social dances of the Americas.
English country dancing began influencing dancing in the court (1558-1603) of Queen Elizabeth 1 of England. It was later introduced to the court of Louis XIV where it became the French contredanse.
The Spanish brought “contradanza,” flamenco and Africans to the Americas. The French brought contredanse and the English brought country dance.
Africa has diverse song and dance traditions. African dances can be spiritual, healing or purely social for fun. Like many social dances, African dance is both an expression of belonging to a group and of one’s own individuality within that group. That probably became even more important during the time of human enslavement because family separation was a standard slaver’s tactic. Separated from family, we create our own families and that is still true in New York City today.
In Cuba Spanish contradanza and flamenco began mixing with West African movement into the “habanera,” the way they dance in Havana. Nobody claims Indigenous origins in the dances, but the music has some, so the dances must too. Colonizers didn’t control everything. If you got free, you fled to the mountains where free Africans and remaining Indigenous mixed together. Anyway, from all this we get danzón, the national dance of Cuba.
French Saint-Domingue was the richest Caribbean sugar colony so it influenced the entire region including Puerto Rico and Trinidad. The Haitian Revolution (1791-1804) caused a French and African (Creole) diaspora which influenced the habanera and even New Orleans.
Out of the Caribbean we get cumbia, merengue, salsa, bachata and reggaeton. The habanera is the root of tango, the national dance of Argentina with origins in Uruguay. Cuban flamenco traditions even made the round trip back to Spain (flamenco ida y vuelta) and influenced flamenco there. Dictator Trujillo (ruled 1930-1961) liked his island’s country dance, merengue, and made it the national dance of the Dominican Republic. Swing was created by African-Americans in Harlem.
Ballet almost died when the French Revolution (1789-1799) ended the French court. It survived in the courts of Russia and Denmark and was reintroduced to the world by Ballets Russes of Paris on tours of the Americas (1909-1929).
Choreographer George Balanchine started his rise at Ballets Russes and in New York founded New York City Ballet. His first prima ballerina and the first New York City ballet star was Native American dancer Maria Tallchief. As the Sugarplum Fairy she helped make “The Nutcracker” the iconic ballet.
In New York Broadway dancing mixed together African-American, Jewish and other theater traditions. Modern dance pioneers include Alvin Ailey (African-American) and José Limón (Mexican-American). Alvin Ailey American Dance Theater popularized modern dance around the world. Contemporary dance follows.
In dance, as in most other things, to say this is mine and that is yours is usually ignorant and foolish. We are all mixes of each other.
“Just dance.”
